April 2012 | Stephen Lewis
Photographer | Jens Marott
As the
train approached the Everton Valley the ground would start to
fall away and you would be elevated - floating along an embankment
and passing over the Leeds-Liverpool canal with its straddling
pylons. Way below was a complex system of railway lines that tunneled
their way to the docks. On the left appeared Tillotsons Packaging
then on the right Tate and Lyle and the docks, the cargo ships
barely visible behind the massive bonded warehouses. Suddenly
the Mammoth would come into view, for years the largest crane
in the world and, amongst all this an array of huge cylindrical
silos would scent the scene with the smell of stored grain and
hops.
The journey
into the city became the perfect antidote to suburban Maghull
on the north side of the green belt.
I realised
many years later that this experience once or twice a month whilst
travelling to Liverpool has stayed with me. It was a kind of physical
drama that someday I would try and account for, in my case by
making sculpture.
All my
work attempts, in some way, to deal with physical and emotional
experience. These sensations and memories are in their essence
particular, subtle and difficult to isolate.
Stephen Lewis
2012
Stephen Lewis
is a sculptor who has exhibited widely in the United Kingdom and
Europe. He studied at Manchester Polytechnic and later at the
Jan Van Eyck Academie in Maastricht. He has works in private and
public collections in the UK, Norway, Luxembourg, Germany and
the United States and Canada.