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I make sculpture that are primarily concerned with the bodily and
the material, and on unraveling possible meaning thorough the handling
of materials. Concept and object are integrated at all points of
the process.
Anxiety and pleasure, irritation and lust, transition and stagnation
jostle with each other for emotional attention: the sculptures can
look like poisonously red regency wallpaper, or green velvet lawns,
but these associations cannot fully articulate the experience of
being with the work. The work consists in the translation of fragments
of memory and emotion into material form. The final objects are
references and triggers for the spectator.
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© Leila Galloway
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