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Past Exhibitions 2007
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Slow Life
Curated by Yuu Takehisa
A John Hansard Gallery touring exhibition
organised in partnership with Limehouse Arts Foundation.
Funded by Arts Council England, The
Henry Moore Foundation, Great Britain Sasakawa Foundation, Nomura
Cultural Foundation and EU Japan Fest Japan Committee
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Wilfrid Almendra
Dale Berning
Mark Karasick
Ryota Kuwakubo
Tomoyasu Murata
Beltran Obregon
Wolfgang Staehle
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| A Shady
Outpost
1 - 18 February 2007
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Alexander Brenchley
Julia Colmenares
Adrian Di Duca
Lucy May
Amanda Moore
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Stupor Mundi
22 February - 4 March 2007
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CREEKSIDE OPEN X 2
Selected by Emma Biggs and Matthew Collings
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CREEKSIDE OPEN X 2
Exhibition selected by Victoria Miro
www.creeksideopen.org
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Dis/connected
Myth and modern man in the work of four Finnish photographers
Vertti Terasvuori
Susanna Majuri
Kalle Katalia
Eva Persson
Curated by Natasha Nelson
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Slip Frame
Anne Robinson
Video Installation and painting
21 June - 1 July 2007
Wednesday to Sunday from 11 to 6pm
Screening event and panel discussion: Friday 29 June, from 6pm
Chair: Yossi Bal, London Metropolitan University
Artists: Anne Robinson, Keren Mirza, Brad Butler, Lily Markiewicz,
Ken Wilder, Judith Tucker
<<
click here to download press release>>
Catalogue essay by Judith Tucker http://www.land2.uwe.ac.uk/essay15.htm
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Hold
video installation
5mins extract
Anne Robinson
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The main focus of the exhibition is the two-screen video installation
work. The images in Hold seem to be on the edge of interior/exterior
space, and of readability, placing still and moving images side
by side. It is a journey through remembered films, and sites of
family memory; seafaring in the unconscious; and yet this memory
work, this art work which deals with the movement of shadows, also
has formal concerns, with liminality, the spaces between thought,
feeling, memory and affect, exploring as it does, re-filmed moving
images, and the possibility of the space between frames in digital
video as an imaginative space for artist and spectator.
There will also be a screening event and panel discussion with
Anne Robinson and Invited artists: Karen Mirza, Brad Butler, Lily
Markiewicz, Ken Wilder, Judith Tucker, chaired by Yossi Bal of London
Metropolitan University on evening of Fri 29th June, further details
of this event will be available.
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Title: Slip Frame
Event: Screening of film & video work and panel discussion on
the space between frames
Artists Panel:
Brad Butler
Lily Markiewicz
Karen Mirza
Anne Robinson
Judith Tucker
KenWilder
Chaired by: Yossi Bal, London Metropolitan University
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Screening & panel discussion
29th July 2007
From 6pm
Discussion at 7pm
This screening and discussion event incorporates works by several
contemporary artists working with film, video, digital photography,
installation and painting. The context for this is an exhibition
of installation work and paintings work at the gallery, including
the video installation Hold, which are part of an ongoing body of
research into:
'The elusive digital frame and the elasticity of time in painting'
-looking into questions about the elusiveness of time in relation
to perception, and how understanding of this an be expanded by looking
at the digital frame and moving image languages in relation to 'affect'.
The panel will be considering questions about: the expanded moment,
the embodiment of time, moving image languages, the digital frame,
installation space and 'affect', liminality and time and painting.
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Plenum#2: installation, rusty metal table and DVD projection
Chamber : installation, canvas, timber frame, water and DVD projection
Intersection: installation, metal, cotton, acrylic, ply and 2 x
DVD projections
Ken Wilder
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Resort
slides from recent work
incl. The image is In Shadow (iii) Charcoal, 152 x 121 cm
Judith Tucker |
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DRIVEN
9:50
video
Lily Markiewicz.
Sound based on
'Composition for Piano, Tape and Conversation'
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The Space Between
12 mins
16mm film
Karen Mirza, Brad Butler
Sound David Cunningham |
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APT on show 2007
5 - 8 July 2007
To celebrate the Tour de France and Made in Deptford Festival
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Victoria Rance
Space for a Man 2007
Forged Steel
Lou Smith
Musk 2007
Acrylic and pastel on canvas
From the series "After Midnight"
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Ring Line
Zinc coated and painted steel
Ring Line is created by a continuous connected line of angle iron
steel in a pattern defining overlapping cuboids and triangles that
connect back to complete a ring shape. The three dimensions of the
overlapping angle and ring create irregularities in the views around
it.
Yellow is painted on an inside edge of the angle to emphasize the
continuous direction of the line and add warmth and contrast to
the bluish zinc coated finish.
Sheila Vollmer
2006
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Leaf Cycle
2007
Heather Burrell was commissioned by Transport for London to create
and build a sculpture as part of the Tour de France event celebrations.
The site of the Rotherhithe roundabout was chosen as a key location
on the Tour De France route and Heather put forward a number of
ideas to mark the cycling race and acknowledge the importance of
'green' travel in London.
Constructed with over 300 metal leaves, Leaf Cycle measures 3m
high x 3m long and is strikingly visible with a silver galvanized
finish.
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Heather Burrell |
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CONSTRUCTION
Brigitte Parusel
12 - 15 July 2007
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aRTifacts aT tHe eVent hoRizon
Seung-ah Lee
19 - 29 July 2007
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PAINTING UNLIMITED
6 - 16 September
Exhibition curated by Cath Ferguson
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SANCTUARY - An APT exhibition curated by Keir Smith in 2005
6 - 16 September 2007
Sanctuary was curated by APT artist Keir Smith to coincide with
our Open Studios weekend in September 2005. Sadly, Keir died in
March 2007. This selected display of the Sanctuary exhibition is
our tribute to Keir and celebrates his contribution to APT and the
Gallery programme.
"The studio is a unique environment, a place of speculation
as well as making, an unlikely combination of study and production
line and, as such, a place where apparent contradictions are reconciled".
Keir Smith, 2005
We are very grateful to Clare Rowe, Keir's wife, for lending some
of Keir's work for this exhibition.
"He dedicated his life to his art, looking at and writing
about the arts of the past which nourished his contemporary practice
as much as his interest and respect for the art that was going on
around him."
Anne Elliott, Obituary, The Guardian, 3 April 2007
The Sanctuary photographs were taken by photographer Peter Anderson
whose exhibition XPOSURE is currently on display in APT's EXTRA
space on Creekside.
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| APT EXTRA
6 Creekside |
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XPOSURE
6 - 16 September 2007
Photographs by Peter Anderson
Exhibition curated by David Mach
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Douglas Bentham
CROSSING THE POND
20-30 September 2007
Open Daily from 12 to 6pm
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Canadian sculptor Douglas Bentham presents six monumental steel
sculptures, executed in 1990 at the Hardingham Sculpture Workshop
at Norfolk. These sculptures were Bentham's direct response to the
stimulus provided by fourteen days confronted with British steel,
hot days tempered by cooling rains, other sculptors' provocations
and his own competitive spirit. In 'Crossing the Pond', Bentham
complements the Hardingham series with six new stainless steel sculptures
from his current Espalier series, shipped directly from his studio
in Saskatoon, Saskatchewan, Canada.
Douglas Bentham's formative years benefited from numerous professional
artists' workshops at Emma Lake, Saskatchewan, including co-leading
the 1977 workshop with Sir Anthony Caro; subsequent to that experience,
the British sculptor founded the Triangle Artists' Workshop, bringing
together the three points of the geographical triangle: Great Britain,
the United States and Canada. The Hardingham Workshop grew from
its example to become a vital gathering of sculptors from around
the world. This exhibition encapsulates the cross-Atlantic exchange.
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Hardingham Mirror, 1990
steel-rust, paint
92 x 52 x 40 inches
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Hardingham Wish, 1990
steel-rust, paint
72 x 46 x 36 inches
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Hardingham Screen, 1990
steel-rust, paint
71 x 50 x 34 inches
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Hardingham Heights, 1990
steel-rust, paint
111 x 85 x 40 inches
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Espalier I: Aphrodite, 2006
stainless steel
77 x 20 x 18 inches
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Espalier IX: Helios, 2007
stainless steel
75 x 23 x 23 inches
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Espalier X: Ariadne, 2007
stainless steel
84 x 25 x 25 inches
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Espalier XII: Narcissus, 2007
stainless steel
71 x 26 x 12 inches
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BOUNTY
A Case of Preposterous Optimism
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In October 1787 the Bounty left Deptford on a voyage of 28 thousand
miles with the intention of collecting breadfruit plants from Tahiti
and taking them to grow as food for the slaves working the plantations
in the West Indies. In 1789 the voyage ended in mutiny against Captain
William Bligh, led by Acting Lieutenant Fletcher Christian.
The initial impulse for the exhibition was the discovery by APT
Trustee and artist Cuillin Bantock that the flowerpots taken out
to Tahiti were made at a pottery on Creekside, home of APT. The
ship itself was converted for transport at Deptford and many of
the crew came from the local seafaring community. These links have
been a mainspring in the making of work by the exhibitors; the APT
studios are on the waterfront in Creekside.
The exhibition consists of painting, sculpture, work on paper,
installation and film. It will interpret and document the events
of the voyage, its links with Deptford and the wider historical
context. We are hoping that breadfruits plants donated by the National
Tropical Botanical Garden in Hawaii will have resumed growth in
time for the exhibition.Talks for adult audiences support the exhibition.
www.bountyexhibition.org
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GALLERY TALKS
Thursday 11 October 2007 at 7pm
Cuillin Bantock : Dont Shoot Albatrosses
The talk will explore the relationship between the Bounty story
and the historical shift from the
Age of Enlightenment to the Romantic Movement - The Coleridge Connection
Thursday 18 October 2007 at 7pm
Scott Plear : Dont let truth get in the way of a good story
The talk will trace the interpretation of the Bounty story in film
with reference to the directors, cast, film-locations, musical scores
and period attitudes
Thursday 25 October 2007 at 7pm
Tim Cousins : Bounty Images
A guided talk on interpretations of the theme and an open debate
centred round the exhibits
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The exhibition has been funded by Arts Council England, Awards
for All, Langara College Vancouver Canada, Ernest Cook Trust, London
Borough of Lewisham and APT.
APT also acknowledges the generous support of Trinity School of
Music, Lewisham College, Laban and St Thomas More School.
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Exhibiting Artists
Victoria Arney
Cuillin Bantock
Tim Cousins
Nic Godbold
Oona Grimes
Liz Harrison
Margaret Higginson
Richard Lawrence
Stephen Lewis
Chris Marshall
Scott Plear
Jessica Poole
Victoria Rance
J S Robinson
Sheila Vollmer
David Webb
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The Preposterous Cyclops
Contemporary Art and the Camera
1 - 18 November 2007
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Melanie Cory, Linda Hasking, Lorraine Morris,
Tania Robertson
Four fine artists whose processes and practices demonstrate a shared
interest in use of the lens, but a diversity of outcome.
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PHOTOGRAPHY WORKSHOP FOR CHILDREN & PARENTS OR GRANDPARENTS
Free, but places are limited so please book
Saturday 10 November 2007, 11am to 1pm
Blueprints are a fun, safe way to make photographic images using
just light and water without the use of a camera. Come along and
work with the artists in the show to create your own blueprint photographs.
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Linda Hasking
Make Do and Mend
detail
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Linda Hasking
Stacking Chairs 1
Blind embss and original digital print
Image size 65 x 65cm
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Lorraine Morris
Gathering Storm
silver gelatin print
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Lorraine Morris
Not Forgotten
silver gelatin prints
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Tania Roberson
Garden of Eden
polaroid
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Melanie Cory
Captured
Installation viewed through the lens filter
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Melanie Cory
Captured
Installation detail
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Andrew Bannister
Sean Cummins
Judith Dean
Tom Godfrey
Candice Jacobs
Mark Riley
Exhibition runs from November 22 - December 9 2007.
Gallery opening times: Thursday - Sunday, 12-5 pm.
Private view: Friday November 23, 6-9 pm
The exhibition brings together new and recent works by six artists
working in a range of media. The title 'distance' relates broadly
to the ideas which the works explore- of the relationship between
place and memory, the gap between events and their representation,
and the perception and experience of time and space. The works in
the exhibition can be seen as representing a variety of creative
responses to these themes, and employ diver
se media, including sculpture, photography, and video.
A talk on the works in the exhibition and the themes of the project
will take place at the APT gallery on Saturday December 8 at 2.00
pm.
For further information on the exhibition or the talk, or for
visual material relating to the exhibition please contact Andrew
Bannister (email: pretext2007@yahoo.com, tel: 0776 168 0537)
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| End of 2007 |